EW Article Reveals "Space Bridge"? (Updated)

The April 24th is of Entertainment Weekly showed up in my mailbox today with a summer movie preview of various films including Transformers: Revenge of the Fallen. One related story, Shia LaBeouf's hand status, was already appeared online. The main Transformers related articles was not. So with that in mind, below are excerpts from the article including how Shia's injury was incorporated into the film. I would scan, except I don't have a scanner.

Michael Bay remembers the day that Transformers: Revenge of the Fallen nearly fell apart. It was Sunday, July 27, 2008. "I always look on CNN.com," says the filmmaker. "And there it was: Shia LaBeouf in a car crash... Oh, God. I read it and thought, 'No, this can't be true."

But it was. The 22-year-old star, who was about one-third of the way through shooting the sequel to Bay's 2007 hit Transformers, had seriously injured his left hand in an early-morning traffic accident in West Hollywood.

While he was naturally concerned about LaBeouf's health, Bay also had a movie to finish. With his leading man's cooperation, he moved decisively to keep from shutting down the production, and a bandaged LaBeouf returned to the set after just a few weeks - against the advice of one of his doctors, the actor says. The screenwriters tweaked the script so that his character...get hurt in a sort of teleportation device called a "space bridge." LaBeouf agreed to postpone additional surgery on his hand until after the shoot wrapped in October, and he was outfitted with a custom-made hand cast designed to be both photogenic and superprotective. (There has even been talk of replacing LaBeouf's hand with CG; Bay says it was ruled as too expensive and "a pain in the neck.")

Seven weeks after LaBeouf's accident, the actor is hard at work on Revenge of the Fallen, his face, arms, and one good hand covered in fake sweat-that is, Vaseline. They and several dozen uniform-clad extras playing soldiers are nestled among desert dunes in a picturesque corner New Mexico near the White Sands National Monument.

"We've blown up so many things," says LaBeouf, squinting hard in the reflected sunlight. "A fish tank, a helicopter, concrete tubes. We blew up a library. This set you're looking at? This will all be gone." Indeed, the buildings were constructed with charges built right into them. They're dressed up to look like an Egyptian village, which will later be intercut with IMAX location photography of a real town near the pyramids of Giza. That's the site of the film's final showdown between the good-guy Autobots and bad-guy Decepticons, including the title character, a Lucifer-like figure actually called the Fallen.

Standing atop a dune, Bay is barking into a megaphone at some crew members who've gotten a little too chatty. "Let's have some quiet and some respect!" he yells. "It's not many sets that have live F-16s flying over!" Minutes later, six F-16 warplanes thunder past overhead, piloted by military personnel - though not at taxpayer expense, Bay hastens to point out.

The Space Bridge is from the G1 cartoons that was built by the Constructicons (and designed by Soundwave if remember right) that allows instant transportation between Earth and Cybertron. It was really a story convenience to allow stories to be set on Cybertron with established characters while introducing new ones (such as Shockwave). How this could play into the movie should be interesting. Maybe it is how so many Decepticons get to Earth without the attention grabbing blaze across the skyline before crashing through something. Of course, if your goal is destruction, not a bad way to go about it as the trailers show.

Update: TFW2005 has scans of the article here to read the stuff I left out.

G1 Cartoons Getting Re-Release

According to The Hollywood Reporter, Shout! Factory has inked a deal with Hasbro to release some of its "classic" 80s cartoons to DVD including Transformers, G.I. Joe, and My Little Pony. This will be the first time for new fans thanks to the movie to get an idea of what some of us mean when we refer to "G1 Transformers." That phrase specifically refers to the first generation of Transformers that were created between 1984-1988ish and used in the three seasons of cartoons and movie in that time frame. Sadly, much like the sets that were released by Rhino about 10 or so years ago, these set are not going to be cheap.

Shout! Factory's first release under the agreement will be "The Transformers: The Complete First Season -- 25th Anniversary Edition." The set is slated for June 16 (prebook May 19), a week before the big-screen debut of the Michael Bay-directed feature film sequel "Transformers: Revenge of the Fallen," due in theaters June 24.

The $29.99 three-DVD set will include the original broadcast versions of all 16 episodes from the 1984 season in the intended story line order, with remastered picture and a new stereo soundtrack created from the original audio. The Rhino releases featured incomplete work prints of episodes and modified sound effects.

Tentative extras include the featurette "Triplechanger: From Toy to Comic to Screen: The Origins of the Transformers"; a printable script; rare PSAs; toy commercials; concept art; and a limited-edition Autobot magnet.

Foos said Shout! Factory would follow the release with special complete series sets of "The Transformers" and "G.I. Joe" later this summer.

An interesting review will be to see the comparison of the Rhino sets (which I have and ok for their time) with these new sets. I am also curious to know if they will continue the very annoying practice of breaking up seasons in to "parts" to maximize sells that has plagued the cartoon DVD market.

Frank Welker Interview

TFW2005 has posted a two part interview with Frank Welker, the one true voice of Megatron and future voice of Soundwave for the movie. The interview was done before Bay's annoucement of his intention to cast Welker as Soundwave and covers Welker's work over the decades including Transformers, how he prepares, advice for future voice person's and some memories he has. Sadly nothing specific about the movie and nor his G1 years other then he enjoyed the work. Below are some highlights and links to the full interview.

Part 1
Part 2

Highlights:
What was your reaction, when you heard about the out-pouring of support from the fans for you to reprise your role as Megatron in the recent movie?
Well, I was absolutely blown away. I really had no idea how big the Transformers were, let alone the size of the fan base. Their passion and knowledge of all things TF is pretty awesome. For me, knowing the fans felt my G1 Megatron was original and important to them and should have been included in the feature production was humbling. That loyalty has pretty much increased my hat size about two fold. Of course I realize it is "Megs" ultimately...not me.

How did you feel about the role of Megatron in the recent transformers movie going to Hugo Weaving?
Hey, if it can't be me or an immediate member of my family playing the role of Megaton, Hugo Weaving is not too shabby. He is a superb actor who always brings interesting interpretations to his work. His agent Smith from the Matrix series was an example, he used a very slight robotic twitch and underplayed it so nicely...top notch. The clips I saw of his Megatron seemed to work just fine, but it was pretty heavily processed and made the voice sound typical of what you might expect of a 40 foot mechanical villain. I think it would have been more interesting to hear less process and more Hugo.

Have you been approached at all for any further work with the franchise, either with the movie(Soundwave?) or another incarnation, such as Transformers: Animated?
Well it is a little too early to be specific but I will say yes and no. No, I have not been approached by the movie folks but yes I am still involved in the franchise...more on that later.

What differences do you find in voicing animals, as opposed to "speaking" characters?
I think people have more of a preconceived idea of what a human voice's should sound like but when you do animals there is more freedom of artistic movement. You are creating sound the listener hasn't pigeon holed ....directors are more apt to leave me alone with my etch-o-sketch and I like that.
(Welker is the "god" of animal noise work for Hollywood. If an animal makes a noise in a movie, Welker is probably the voice behind it.)

Where do you draw your inspirations from in creating a voice? What inspired you to come up with Megatron's voice?
I find that I respond more visually than verbally and looking at a drawing or seeing pictures of the characters evokes an automatic reaction which suggests a voice or attitude. If there is a description and history it helps form a point of view that adds to the overall voice. I think I enjoy looping to picture...looping is the process where you record in a studio with the film or project on the screen and you voice over to what you are looking at...because you see the action on the screen and you just go for it. The character is there and it helps the director as well since he just has to show you the scene, it is a very liberating and creative process. When I auditioned for the Transformers show, there was a sign at the door that said “pick three”. There were piles of drawings of the characters on this table so I just picked up a bunch of the Autobots and Decepticons and had at it. I was drawn to the evil characters since a lot of my work had been mixed with way too many good guys. When I saw Megatron he stood out and I liked the fact that he was the leader of the Decepticons. I tried to make his voice different from what I thought the other actors might do in hopes it would stand out. In the case of Megatron it was the first voice that came to me and the powers to be said "Hello Megatron."

As it turned out I got seven of the original parts...Autobots and Decepticons. I think Wally Burr the director was so busy doing other shows plus working this one he didn't realize he cast me in all those parts...hey, I was lucky!!

Could you cite some other notable examples?
Well, Soundwave was a very bad impression of Barry White but again I wanted something different and it was another weird sounding voice. I think now I was not going with visual as much as trying to create a voice that was different from what I had already done and from the rest of my fellow actors. I didn't realize until the middle of the season that Scotty, our engineer, had processed the shorts off that voice and added large amounts of that "vocal harmonizer thingy bobby"...that's tech speak for "lots of sound stuff." So anyway, it really was fun to do but I could have done Snooky Lanson and it still would have sounded the same. The younger folks will need to look Snooky up on Wikipedia.

What are some of your fondest memories working on the original Transformers series?
I know it is cliche, but as I mentioned above, it was a hoot working with Mike Bell who loved to pick on Peter Cullen. Peter is such a good guy and has the best laugh in town. We all tried to get his number and he was pretty easy. Of course he could dish it out too and was very funny with great stories of the Great White North. He does a French Canadian that puts me away. It was an odd cast of characters literally...and that kept it fun.

You've played a lot of villains over the years, what was your favorite "evil" role?
Probably would be Megatron because he has been the longest running and most widely known. He is fun to do because there are no limits...he can be over the top and still work, or low and subtle and make wee ones have nightmares. And note, around this voice there is controversy, that is a good sign. I think it is important that you don't sound like people expect you to, always good, unless you are running for public office!

Slow News Day: Fan Made CGI Videos

I am bored of toy pictures (at least until new ones are leaked like the Arcee trio) so instead below are three Transformers related videos that Mr. Gandia (thanks!) sent me.

First up is a CGI video of G1 Devastator combining with flare to take in account real world physics of the characters, with real world look (i.e. mostly yellow) that can't fly. The second video is another CGI cartoon this time Prime vs. Megatron with a Generation 1 twist. The last video is Megatron doing a cereal commercial, related to the Prime cereal commercials.

G1 Devastator Merging


Return of Optimus Prime


Megatron vs Cereal Commercial

The entire cereal commercial series can be found here.

G1 Collection For Sale

If you have thousands dollars to blow, hit this eBay auction to own nearly every Generation 1 Transformers made from 1984 to 1988. The final count is around 248 Transformers, some multiples of each other, some in their boxes, many not. For me the auction is just fun because of all the pictures of all those toys I remember wanting but not able to get as a child.

Cosmos Fan Concept Art

Jester and Jolin strike again, this time with their design for Cosmos. The old G1 character was a green and yellow mini-bot that turned into a flying saucer. This one's alt mode is a much more logical Cybertronian Transport Shuttle that gives the character the heft and strength one would expect from a Transformer. Once again another excellent design (more work here).